Aasi is an angler kid, and Sangeetha otherwise known as Bebamma is the little girl of a Vijay Sethupathi. How would they fall head over heels? What happens when the normal obstruction is appeared by the family with power.
Vaishnav Tej’s Performance:
Panjaa Vaishnav Tej makes his introduction as a saint with Uppena. It is a striking decision to think about the closure. In any case, other than that, all the other things are on the normal lines. As in, there is no substantial exhibition needed for the part, and it manages straightforward feelings including sentiment and fun.
The other essential viewpoint to consider is the de-glitz look. It, nonetheless, turns out sublimely for the film. Vaishnav Tej mixes flawlessly into the film, and we just see a character instead of some wannabe star debut vehicle. For a debutant, Vaisshnav Tej is good. There is a ton of degrees to improve and that should be dealt with in the impending motion pictures.
Bucchi Babu Sana makes his first time at the helm with Uppena. He recently functioned as an associate to Sukumar. One can see a ‘visual’ engraving of the expert on the understudy. Uppena is a romantic tale, and it is just about as unsurprising as it comes. One glance at the secret, and it is sufficient to figure all that occurs. All in all, what really matters to the film? Indeed, it is the execution. Uppena has been strikingly mounted. The visuals, the music, the foundation score, and the natural yet enthusiastic areas make one intrigued by the procedures. They, alongside the lead pair, bring newness. Despite the fact that the same old thing is going on, we are associated with the procedures, the sweethearts’ excursion. It resembles Titanic, where the ‘Titanic’ is the new component that hoists a normal ‘rich young lady helpless kid’ saying.
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Devi Sri Prasad’s music is the help of the film. Be it the melodies or the foundation score it feels as though he has placed his blood into the venture. The effect is felt resoundingly. The cinematography is stupendous, as is the fine art. The altering might have been something more, particularly in the subsequent half. The composing is right on target, particularly generally. The peak, obviously, sticks out. The song Jala Jala Jalapaatham reached more than 64 Million views on Youtube.
Krithi Shetty’s Acting:
Krithi Shetty gets an eminent part in her presentation. It sure leaves an effect in the heartfelt segments. Furthermore, there is an entire ‘significant’ block devoted to her, which expects her to perform at the ideal. She has made a reasonable showing for a beginner there.
Vijay Sethupathi Performance:
Vijay Sethupathi, as referenced above, is a basic presence. At the point when we say ‘presence’ that is the thing that is important here. The mental part of it works as opposed to his genuine work, which is on anticipated lines. The remainder of the cast doesn’t stick out or are perceptible as the attention is more on these three basic characters.